Re-shaping the Art School archive

Alumni Faith Cannon, Fine Art, has been working with the Canterbury archives to look at how it can be used in art today

Images from a sculpture show at Canterbury, 1989-1990

Images from a Sculpture Show at Canterbury, 1989-90

On starting this project using the UCA archive, it has made me aware of the potential collaboration with other Alumni artists from the past, and the possibilities for students today to use resources which are at their fingertips. Sometimes when you’re on a course you get so tied up with producing work and researching you forget that others have done this before – not just the famous artist, photographer, architect- but previous students. They can be an untapped resource to the artists block, a curatorial presentation or that planning for that ever looming Degree Show!

I thought I would give you a little taster of some the items I have photographed and how I have made new work from those early images. There are possibilities for others to get involved with our collaboration to heighten the use of the archival material.

New collage of past images

New collage of past images

Images from a Degree Show Into the Unknown 2007. New collage of past images from the archive.

Images from a Degree Show Into the Unknown 2007. New collage of past images from the archive.

This Catalogue was of a really high standard and would be of interest to the 3rd year students who may be planning their own shows this year. Please take a look as it is your moment to have some super images of your work.

Canterbury archive

The archives have such a creative depth of ideas to aid your own practice and development. I decided to invite others to get involved to see how they would use the past material. We asked the question ‘How could we promote the use of the archives?’ We used a mind map to channel ideas.

 

Mind map 3Mind map 4Mind map 2Mind map 1

 

This drew many interesting possibilities. One artist wanted to do a poster to promote the archives, another sketched the shapes into a design, others photographed details and images that fitted with their own practice. I decided to research one catalogue to see how long it would be until I found a person I knew, as this followed my own practice of continuum and connections. I researched some of the artists to see if after 25 years how their practice had changed. This drew me to look at the materials, processes and how they had evolved. I decided to sketch some of the images to see how the 3D sculpture would have been seen in a 2D form. Those initial ideas that artist create from pen on paper.

This collaboration between the past/present drew me to experiment with the images to see how I could manipulate them to create something new, and the research aspect fuelled the connections element of my practice – and there amongst the archives I found someone I knew!

 

Created by Faith Cannon and other contributors

Jo Robinson

Colin Pratt

Many Quy-verlander

 

 

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